RECENT WORKS 2016 – 2018

Uncategorized June 22, 2016

 

 

Bar Scene Study.jpg

Bar Scene Sketch, oil on canvas, 16 x 20 inches

 

 

 

 

War Cyborg at Sunrise.jpg

War Cyborg at Sunrise, oil on canvas, 16 x 20 inches

 

 

 

 

 

installation shot large paintings dining room.JPG

 

 

 

 

 

install shot form breaking out of itself.jpg

 

 

 

 

 

7

A Form Breaking Out of Itself as Means of Overcoming and Critical Resistance (II), from Fragmented Ontology series, oil on canvas, 48 x 48 inches

 

 

 

 

 

1

Light as Landscape: Desert Landscape, acrylic on canvas board, 48 x 48 inches

 

 

 

 

 

2

A Form Transcending Itself (I), from Fragmented Ontology series, oil on canvas, 48 x 48 inches

 

 

 

 

 

16

Cyborg Painting: The Haunting (II), from Fragmented Ontology series, oil on canvas, 18 x 24 inches.

 

 

 

 

 

19

Light as Landscape: Desert Landscape, acrylic on canvas board, 48 x 48 inches, silver frame

 

 

 

 

 

Detail Shot Cyborg IV.JPG

Detail Shot of A Form Transcending Itself, oil on canvas, 48 x 48 inches, Sold

 

 

 

 

 

17.jpg

Photo/ VR Credit: Ben Vance and Kate Parsons. Go to float.land.com.
Cyborg (III): Deconstructing an object or person in a desert landscape (fragmented ontologies), Google Tilt Brush, N/A, 2017

 

 

 

 

 

self portrait cyborg test.jpg

Self-portrait of me as a cyborg; what is post-Native art? iPhone photo printed on transparent sheet, 8.5 x 11 inches

 

by

I am a fine arts painter from Los Angeles. I might be considered a "painter's painter," yet I disavow the hierarchy of art making in which this terminology is normalized and reinforced by the conceptual marketplace and pluralistic discourses. I've come to realize that there are no problems in "painting as a discourse," per se; there are problems in the verbalizing pursuit to deconstruct and understand it through art institutional pedagogy.

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