Uncategorized June 22, 2016

 

 

 

 

 

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“Strange Brew,” oil on canvas, 12.5 x 16.5 inches, silver frame, 2015. Pricing: (310) 597 – 0659.

 

 

 

 

 

Bar Scene Study.jpg

“Bar Scene Sketch,” oil on canvas, 16 x 20 inches, 2012. Sold.

 

 

 

 

 

blue flower painting deconstructed copy.jpg

“Flower Painting, Deconstructed in Orange,” oil on canvas, 12 x 16 inches, 2017. Pricing: (310) 597 – 0659.

 

 

 

 

 

War Cyborg at Sunrise.jpg

“War Cyborg at Sunrise,” oil on canvas, 16 x 20 inches. Sold.

 

 

 

 

 

 

Portrait of a Confused Woman, purple.jpg

“Portrait of a Confused Woman, Purple,” oil on canvas with thread, 6 x 6 inches, 2017. Pricing: (310) 597 – 0695.

 

 

 

 

 

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“Flower Painting: Blue and Yellow Coursing through my Veins,” oil on canvas, 12 x 16 inches, 2017. Sold.

 

 

 

 

 

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En situ & curation photo: special thanks to Leon Benrimon and Jennifer Velaise.

 

 

 

 

 

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Installation photo, 2017.

 

 

 

 

 

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En situ.

 

 

 

 

 

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“Study of a Confused Woman, Pink,” oil on canvas, 12 x 16 inches, 2012. Pricing: (310) 597 – 0659.

 

 

 

 

 

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“Study of a Confused Woman, Orange,” oil on canvas, 12 x 16 inches, 2012. Pricing: (310) 597 – 0659.

 

 

 

 

 

 

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“David Bowie,” oil on canvas, 2015. Sold. Exhibited with a historic painting by Karel Appel.

 

 

 

 

 

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Curation: Leon Benrimon and Jennifer Velaise.

 

 

 

 

 

 

7

“A Form Breaking Out of Itself as Means of Overcoming and Critical Resistance (II),” from Fragmented Ontology series, oil on canvas, 48 x 48 inches, 2017. Sold.

 

 

 

 

 

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En situ.

 

 

 

 

1

“Light as Landscape: Desert Landscape,” acrylic on canvas board, 48 x 48 inches, silver frame, 2012. Sold.

 

 

 

 

 

 

2

“A Form Transcending Itself (I),” from Fragmented Ontology series, oil on canvas, 48 x 48 inches, 2017. Sold.

 

 

 

 

 

 

3

“Flower Series: Orgasm (II),” oil on canvas, 16 x 16 inches, silver frame, 2017. Sold.

 

 

 

 

 

 

6

“A Couple Getting Married while Enmeshed in a Large Crowd,” from Fragmented Ontology series, oil on canvas, 52 x 52 inches, 2012.

 

 

 

 

 

9

“Surrealist Painting Technique Imitating the Glow of Computer Screens,” from Fragmented Ontology series, oil on canvas, 2017. Sold.

 

 

 

 

 

 

10

“Portrait of Theo,” oil on canvas, 8 x 8 inches, framed, 2017. Sold.

 

 

 

 

 

 

16

“Cyborg Painting: The Haunting (II),” from Fragmented Ontology series, oil on canvas, 18 x 24 inches, 2017.

 

 

 

 

 

19

“Light as Landscape: Desert Landscape,” acrylic on canvas board, 48 x 48 inches, silver frame, 2012.

 

 

 

 

 

 

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Detail Shot of “A Form Transcending Itself,” oil on canvas, 48 x 48 inches, 2017. Sold.

 

 

 

 

 

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Photo/ VR Credit: Ben Vance and Kate Parsons. Go to float.land.com.

Cyborg (III): Deconstructing an object or person in a desert landscape (fragmented ontologies), Google Tilt Brush, N/A, 2017

 

 

 

 

 

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“Self-portrait of me as a cyborg; what is post-Native art?” iPhone photo printed on transparent sheet, 8.5 x 11 inches, 2016.

 

 

 

 

 

Screen Shot 2016-06-21 at 6.40.16 PM

[typos en situ]

Screen shot 2015-06-04 at 9.23.57 PM

Twitter account: @janna_avner

For pricing, CONTACT 310 597 0659; jra3421@gmail.com

Janna Avner is currently represented by art agent and curator Gail Bershon. You may contact Gail at gailbershon@gmail.com.

 

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by

I am a fine arts painter from Los Angeles. I might be considered a "painter's painter," yet I disavow the hierarchy of art making in which this terminology is normalized and reinforced by the conceptual marketplace and pluralistic discourses. I've come to realize that there are no problems in "painting as a discourse," per se; there are problems in the verbalizing pursuit to deconstruct and understand it through art institutional pedagogy.

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